Life As An Elevator
A Novel
By D. Witt
Chapter Fifteen
Artistic conceptualization is a natural dance that suspends
preconcieved notions and surrenders to not-knowing. At the moment when
I accept Roky's spontanious expression of innovative inspiration, we
are no longer seperated. Not only do I hear the music, I experience it.
I am drawn into experiencing the music of the spheres. There is no pain
or anxiety, only awe and amazement. Ego and aggression are suspended
and the balanced movement of positive energy is flowing through me like
the breath of life. Inside the vortex of spiraling emotion, I can be
and feel and know the life force moving through the rhythm. The music
is in sync with my heartbeat and the sun sparkles through the clouds.
Song and dance. Smoke and mirrors. Goodnight innocent children. No
matter how you speak no one will ever hear you. No matter how far you
travel, you will never arrive. No matter how much you learn, you will
never know. The singularity is point where beginning meets the end
which is now here and nowhere.
"Let's play." I said. "Where is Stacy? Where is Galindo?" I asked Tommy. "It's time to rock and roll!"
Good night innocent children. Sleep well in the oneness of singularity.
Live alone. Die alone. See past watching. Hear past listening. Know
past learning. Live in oneness of heart, mind and soul. Your purpose is
un-named. Ride the astralplane through parallel universes and discover
your ki. Visualize pictures, formulate plans, and postulate notions of
what you want ultimately to follow.
Logic is limited to the task at hand; however, enlightenment supercedes
intelligence. I enable my intelligence to implement my enlightenment
and allow discovery to reveal itself as the balance flows between
meaning and purpose. Homeostasis is to metamorphosis as singularity is
to evolution. I live in the "I am" until death destroys me. Meaning and
purpose are fleeting emotions. There is no meaning past death, only
cosmic dust.
Since your highter fragrance
Is memories' incense
And never destroyed
Copyright 1968, Tommy Hall and Roky Erickson