Life As An Elevator
A Novel
By D. Witt
Chapter 7
My cousin David Thomas from Charlotte, North Carolina, my home town,
came to Texas to spend the summer with the band to work as a roadie.
The record company owned a old house with a barn on Old Galveston Road
in Houston near the Pasadena exit off of interstate 45. David calls it
the funky mansion. This afternoon David and I will move the heavy stage
equipment into the band van for the gig tonight at Love Street Light
Circus and Feelgood Machine. Amps, speakers, mixing boards, cords,
moniters, guitars, drums, and all of the usual gear will be loaded
mostly by me and David. Sometimes I feel more like a roadie than the
performer. The rest of the guys in the band usually show up too late to
help with the loading.
The club is in a warehouse on the banks of the old Houston ship channel
in a blighted part of downtown called Allen's Landing. The section of
downtown where the rock clubs are found has become somewhat of a bum's
row of gas stations, convenience stores, pool halls, and all night
coffee and donut shops.
Love Street has a bar in the back with stools and little wobbley
cocktail tables sporting the predictable red and white table cloths.
There is a place in front of the stage where you can crash on large
bean bag pillows. Upstairs in the balcony catwalk is where Wizzard
performs his light show magic. He has projectiions on all of the walls
for this paradigm. Plasmatic shapes that resemble squirming microbes
and spiderweb geometry cover the screen behind the plywood riser that
serves as a stage for the band. As my cousin David, Chris Escalente,
and I begin to set up the equipment for the show tonight, I hear Stacy,
our lead guitarist, mumbling something about the queers hanging out at
Art Wren's, the all night cafe near downtown on Westheimer. Stacy hates
fags.
I said something to him about Jack Kerouac, Allen Ginsberg, and William
Buroughs being my favorite writers. "You ever read any Jack Kerouac?
He's really a good writer but did you know that all of those guys were
fudge-busters? Ginsberg, all of 'em, were a bunch of fags." I said.
"Don't tell me that man," Stacy quipped, "if they were gay then
everyone would have known about it by now. I have great respect for
their work but there is no way that those guys are queer. If they are
so f*cking redical and if they are gay then why are they afraid to come
right out and say it?", he said. "They do, kinda," I responded, "they
write about it, but the average person doesn't know it when they read
it because the public isn't ready for a bunch of wierd queer beatniks
hippies writing about men touching men. If they were too obvious about
something like that, it would ruin their chances of ever being
published by a major book publisher. Anyway, Ginsberg is already being
investigated for his un-American activities. It's a matter of
survival." After a pause, I continued to set up the equipment on stage
which allowed me the opportunity to cool off and work through my newly
found disillusionment in Stacy's lack of tolerance. Stacy just
continued to tune his new Les Paul guitar.
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