Life Is An Elevator

A Novel

By DeWitt Johnston
Chapter 4

Being raised in North Carolina, in a small town by comparison, I was surrounded by the influences of such role models as pentecostal preachers, corporate bankers, and bass fishermen. It is due to this that I find it necessary to look for alternative sources of inspiration such as music and literature. Music is what proves to provide me with a source of truth, so that is where I get my identity, not from the immediate surroundings. It requires either an obscession or some self-discipline to tap into the universal creativity that has helped me to understand the spiritual side of human nature.

The listener comes first. The player comes second. In order to play a note, one must be able to hear a note. The same goes for achieving harmony with another person when communicating. The speaker must transmit his intent. The hearer must receive his intention and if you really want to get a grip on the situation you must sense the spiritual vibrations and distinguish between good and bad vibes. Discernment of spiritual vibrations may only take an instant but sometimes it takes a lifetime. Communication is a form of primitive agression which may occur in either physical or spiritual form, sometimes separately, sometimes simultaneously. Physical aggression may be the result of preconditioned behavior such as the actions of a soldier in battle who does not question why he is behaving aggressively. On the other hand physical aggression may be restricted and replaced by the enraged spiritual nature of the beast. It is important to know the difference. With enchanced sensitivity the hearer can react with the correct physical or spiritual response and there will be an harmoneous result creating a state of spiritual contentment and physical balance. The best music is performed by kindred spirits of humankind with the same sort of awareness.

Playing night after night in generic roadhouses in city after nameless city for those people whose only intent is to get knee-walking drunk requires a strong commitment to the artform and continual self-analysis. Most people are never listeners.

to
'Chapter 5'



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